Friday, 20 October 2017

New Music: Naaz - Up To Something (Video)

If you went down to B & Q or other similar DIY store today to buy some paint to redecorate your bedroom and found that because it was the biggest seller B & Q had decided that from now on they would only be stocking magnolia you’d probably be pretty pissed off, right? It’s a bit like that with a hell of a lot of mainstream pop music right now. It’s colourless, very bland and all the f*ckin’ same - because that seems to be what sells. Now of course the argument is that mainstream pop is always that way, that’s what makes it mainstream, but to my ears the variety that there used to be has been flushed down the drain.

I could probably write a thesis on the reasons for this rapid dilution of pop but we’re all busy people, so for now here’s just one factor that I believe is to blame: Production. In the past pop has always concerned itself with songs. You know, the basic stuff such as interesting melodies that distance themselves from the verses. But now it seems that the production is more important. Mainstream pop music now seems to be full of meandering flavourless identikit tunes (Drake, one of the biggest stars in the world is the biggest exponent of this) that forget that a big proper chorus with a great melody is a grand thing. Love him or hate him, it's probably one of the reasons why Ed Sheeran is so popular - first and foremost with his material comes the song, not the production.

Which brings me to Naaz. She’s already impressed with her delightful ditty Words (here) and now she has done it again with Up To Something. It only takes about 20 seconds to get to a hooky pre-chorus and from there on the whole thing just sticks. Sure, it’s simple, but that’s so much better than a song being overloaded with ‘clever’ production. It’s the same as so called ‘good’ writers who use a thesaurus to find the most complex words possible and use six sentences to express something that could be said in 5 simply understood words. (No comments about this blog post please!) This is mainstream pop done well, with a simple personal commentary thrown in: “I don’t want to hurt them, but this is who I am. Chasing ambition making my own mistakes,” which no doubt refers to Naaz’s Kurdish background and the conflict with her parents about pursuing a career in music, which is detailed in the video with a scene of her sitting to eat with other Kurdish people, taking a break from running around a sterile white building.

Naaz - Up To Something (Video)

Wednesday, 18 October 2017

New Music: Introducing - Joji

Unless you’ve been living under a rock and have only just discovered the internet, the chances are that that you will have seen or come across George ‘Joji’ Miller already. Yes, he’s the guy responsible for the Filthy Frank TV series and irrespective of your views on the thing (for the record I didn’t like it at all) it was a huge online hit, pulling in millions of views. He also put out, under the name Pink Guy, a low-brow cringey ‘comedy’ album that ended up topping the iTunes chart. It was an offensive release that made me shake my head in disbelief and realise that no matter how interested I remain in popular youth culture as I get older, I just wasn’t in touch with what ‘the kids’ were into these days.

Yet Joji has also gone on record saying that he only started Filthy Frank and Pink Guy to draw attention to himself and that it all just got a little bit out of control so he had to roll with it. Underneath all the pink bodysuited You Tube weirdness (click here if you still have no idea) and meme frenzies was a serious musician just waiting to break out and today Joji delivered on his promise with Will He the first song from his forthcoming debut EP due at the start of November. 

Will He is a surprisingly downbeat piece of music featuring stripped back ghostly piano reminiscent of something you might expect to hear on a Nils Frahm or Aphex Twin ambient record, with slo-mo beats and languid woozy vocals. It’s difficult to comprehend that this is even the same man as Filthy Frank, such is the lonely late-night feel of this drowsy song, which is really rather (and I'm in shock to say this) beautiful. 

The video is mesmerising as well – and yes Breaking More Waves regulars will be very pleased to see that he’s wasted no time in getting into the bath, albeit a blood one.

Despite having been on-line for less than 24 hours this video has already had over 500,000 views, showing the power of You Tube in developing an artists profile. Let's hope he keeps things like this and doesn't start referencing Dumplings or scaring people for lols.

Joji - Will He (Video)

New Music: Introducing - Kailee Morgue

The back story to Phoenix's Kailee Morgue and her music is that she tweeted a video clip of her singing a demo of her song Medusa back in January with the words “I apologize for my voice cracking and the unflattering angles but here's something I'm working on,” then a few months later she had been signed by Republic records, and the tweet had been retweeted over 45,000 times by October. 

It’s impressive statistics, however they were achieved, but let’s all remember that there is often a massive disconnect between online numbers and the real world; I’ve been to see bands that have had millions of plays on Spotify playing to rooms of less than 50 people and vice versa I’ve seen artists that appear to have relatively small on-line statistics play to packed houses. Just because someone takes a second to favourite something on line doesn't mean they'll come to your show or invest any money into supporting you as an artist buy buying your products. There's more to it than that.

However, what matters as far as this blog is concerned is simply this; does the music do it for me? Irrespective of profile. And with this one, the answer is a resounding YES! Medusa is such a pretty electronic pop song that works because of some very straightforward things. 

First its simplicity in its lilting dreamy construction; there’s nothing more than what needs to be there – it doesn’t need any extra polish or make up to make it sound just right. Second there’s the hooky chorus; “She looked right through me and I turned to stone,” will soon be bouncing around the inside of your brain. Guaranteed. Then third it’s Kailee’s highly palatable vocal delivery on the song – she has one of those girl-next-door voices that’s just really easy on the ears.

The question now is will Kailee be a one song wonder or something more? The fact that she’s already been signed to a label suggests that somebody thinks she can deliver. Let’s watch this space.

Kailee Morgue - Medusa

Tuesday, 17 October 2017

New Music: Keir - Squeeze Me

It’s not often that a song features on Breaking More Waves twice, so when it does you know that it’s something bloody special to me. Keir’s astonishing tour de force Squeeze Me first came to my attention by way of a Maida Vale Session video that I posted in January. It got me swearing like a trooper excitedly about the man’s raw impassioned delivery and performance. “This guy is a star.” I thought.

Of course, it was just one track and one video. But having now seen Keir live and in the flesh I can confirm he is the real deal. He might have only been playing a small stage at Glastonbury but the intensity and beauty of his show made me think that he had all the potential to play the Pyramid stage one day. He owned the place like a true rock opera star.

Keir is making music totally out of time and out of place with everything else that’s in fashion right now, but don’t damn him because of it. The weighty emotional punch of his sound and his expressive quality transcend the zeitgeist. 

Now (finally) Squeeze Me is getting an official release. I’m pleased to say the recorded version doesn’t let him down. It's been worth the wait. Keir is staggeringly good.

Keir - Squeeze Me

Sunday, 15 October 2017

New Music: Lauran Hibberd - Eliza

When Lauran Hibberd introduces her song Eliza live she often states that it’s about a girl she used to know once and she wasn’t very nice. This sounds pretty harsh until Lauran sings: “Eliza built a home in the back of my mind,” and you begin to wonder who Eliza really is. Maybe she's is a lot closer to Lauran than we all first thought? If she is, then it looks like Lauran has dislodged the inner demon now though: “The girl you lead astray is going to be OK.”

Lauran’s music seems to be gradually evolving from a softer folky feel to something with a more idiosyncratic indie feel. Eliza is a good example of this, rushing headlong into three minutes of an exuberant and raw stomp, with the chorus spelled out letter by letter E-L-I-Z-A. This self-assured noisier sound suits her well.

Following a main stage set at this year’s Bestival and a date supporting Sarah Close, you can next find Lauran treading the boards when she supports another Breaking More Waves supported act, Jerry Williams, at the Black Sheep Bar in Ryde, Isle of Wight on 22nd October, with more dates to be announced soon.

Lauran Hibberd - Eliza 

Friday, 13 October 2017

New Music: Introducing - Ace Marino

Stranger Things



Top Gun


The 80’s



Bad hair

Now ladies and gentlemen, if you like that list, add Ace Marino and his debut EP Cocaine Flamingo to it.

From it, streaming below, is Communication. Together, we’re living in electric dreams.

Ace Marino - Communication

New Music: Introducing - iZNiiK

There’s no background and no story with this new artist who goes by the rather odd name of iZNiiK. Despite doing the usual detective work of a whole lot of Google searches and with no record label or PR email to hand, it’s impossible to tell even if iZNiiK is one person or a group. If I were to hazard a guess though I’d suggest they’re a solo artist, because iZNiiK’s debut EP (simply called EP1) sounds like some sort of crazy off-your-face bedroom DJ mash up project. Songs, if you can call them that, are formed from a cleverly pieced together collage of vocal samples, jazzy grooves, hip hop beats, r ‘n’ b thrills and spills and whatever else iZNiiK decides needs to be there. The obvious comparison is of course The Avalanches, and perhaps there are minor elements of Clarence Clarity and Jai Paul as well, but with iZNiiK the sound is if anything, more confusing, more deliberately screwy and definitely more funked up. How this whole thing works is beyond me, but it does.

Take a listen to the futuristic sounding So Easy below and then check out the whole EP by clicking here.

Update: The one thing I do know about iZNiiK is the artwork for his EP was created by Jonathan Zawanda, an Australian artist living in LA who has worked with a lot of electronic musicians including Flume (for the cover of Skin) as well as Classixx and Mark Pritchard.

iZNiiK - so easy

New Music: Dave - Question Time (Video)

A few years ago talking about politics in pop music was something that musicians just didn’t do. Singing about being 'in da club' and 'not giving a fuck' was the standard and even so called alternative musicians, who in past decades had been more politicised, seemed to have grown brains of beige. 

Remember a few years ago when Farris from The Horrors was quoted in the Guardian as saying: “Politics doesn’t mean anything to me, the stuff that gets discussed on Newsnight isn’t relevant to me, and it’s pretty much not relevant to anyone.” And this was from a singer in a band who was supposedly well educated. “I don’t think you get anything from voting. I find it funny that someone would vote for another person, whether it’s on Celebrity Big Brother or as a politician, on the basis that they could imagine going for a drink with them. I just think voting is for people who don’t have their own imagination. It’s for a different generation. You’re not accomplishing anything.”

Well sorry Farris. You’re wrong. And thankfully after Brexit, Trump and the rise of the 1000-1 outsider Corbyn, people in all aspects of pop music are talking about politics in interviews, to their audiences and in songs. It's important because young people look up to musicians and their favourite pop stars. If they're talking about politics then it makes it OK / cool for their fans to do the same. 

Since naming him as one of my Ones to Watch for 2017 last year, Dave has been developing a bigger and bigger audience and in his new track Question Time he’s certainly talking about the issues that matter in this quite incredible track. Game over Farris. 

Dave - Question Time (Video)

Thursday, 12 October 2017

New Music: The Rhythm Method - Something For The Weekend (Video)

One things I’ve always been a fan of in pop music is the Marmite band and The Rhythm Method are very much are Marmite band. (Apologies to readers in countries who don’t have Marmite and hence have no idea what I’m talking about. To explain it’s a spreadable yeast extract which is often put on toast in the UK and is generally either loved or hated by those who have tried it. There is no middle ground.) 

In the case of The Rhythm Method I fall very much on the positive side of things. There are so many things to love. There’s the clever / funny / sometimes politicised wordplay that reminds me a little of everything from Ian Dury to The Streets. There’s the way they manage to sneak in the pop hooks amongst the spoken word and before you know it you're humming the tunes and wondering how they got into your head. There’s the way that every song sounds that little bit different from the previous and yet they are all undeniably by the same band. There’s the way that the duo don’t really look like pop stars / musicians at all (although what exactly a pop star / musician is meant to look like, I really don’t know – but maybe just not like The Rhythm Method).

The Rhythm Method are one of those acts that will probably never appeal to the masses, but from the couple of shows I’ve seen them play now (at The Great Escape and in the Bollywood Tent at Bestival), they will appeal to some – perhaps a mini-cult following? They're on the Moshi Moshi label as well, which seems a perfect home for them, being a label that often specialises in the slightly off-kilter but still accessible side of pop music.

Here’s the video for their latest funky offering, Something For The Weekend, which actually came out a few weeks ago, but as a true professional fan amateur I have only got round to posting today. It has all the things I like about them present and correct.

They’re out on tour in the UK at the moment. Go and see why they make me smile if you get the chance.

The Rhythm Method - Something For The Weekend (Video)

New Music: Julien Baker - Turn Out The Lights (Video)

Here’s a video that came out yesterday from Julien Baker and immediately appeared on all the big music sites like Pitchfork, Stereogum, The Fader etc. Yet it’s a tune weighted with so much emotional power and finesse that I felt compelled to put it on my small scale old school personal music blog, albeit a day later.


It’s because of a moment. 

That moment, two and a half minutes in, has the same effect as THAT crescendo moment in Snow Patrol’s Chasing Cars (at around 2:50 for anyone wanting to compare the similarity). Now of course music snobs will shudder at the mention of Snow Patrol, but bear with me, because emotions are an individual and personal thing, and both the Snow Patrol song and this song pulled at my same heartstrings. Radiohead’s Creep does it as well as it launches into the chorus. 

It’s that surge of power. It touches on something raw and primal. It stops you in your tracks. Here although 'the moment' is clearly full of angst and a certain sadness, it sounds so vitally from the soul that it becomes oddly uplifting. It does one of the things that many of the best sad songs do – however heavy and downfallen they might be lyrically they have the power to make the listener feel alive. 

Starting from simple beginnings (I’m not sure if the lyrics about a hole in the wall not being fixed are a deep metaphor for something or quite simply a reflection of Julien’s lack of DIY skills, in which case she needs to get a builder in. More likely they're a reflection of her state of mind and not being able to get round to doing things.) Turn Out The Lights soon dives in deep: “Can you help me, I just wanted to go to sleep?” she sings softly before that cathartic wail kicks in. “When I turn out the lights.”

Raw. Brutal. Intense. 


Turn Out The Lights is taken from a forthcoming album of the same name, was recorded at Ardent Studios in Baker's hometown of Memphis and is the follow up to her much acclaimed record Sprained Ankle

Julien Baker - Turn Out The Lights

Wednesday, 11 October 2017

New Music: Sølv - Codeine

Back with some black liquid electronic gold comes Sølv, the singer who by all clues should be from Scandinavia, but isn’t. Following her debut EP from 2016 Sølv now begins a drip feed of new material with the exquisite chill-pop of Codeine. This isn’t a song that screams at you, instead it slides starkly into your ears, intent on slow-burning skeletal seduction. A song of obsession and addiction and not having “a care when we’re young,” Codeine sounds sinister, shadowy and claustrophobic, not because there’s huge layers of sound pressing down on you, but the opposite – it’s tightening grip is due to the minimalism of it all.

Sølv - Codeine

Tuesday, 10 October 2017

New Music: Belle And Sebastian - I'll Be Your Pilot

To this day Belle And Sebastian are the only band that I’ve bought an album of purely because of the cover. Their second album If You’re Feeling Sinister was my entry point to the group, not by the music, but because of that classic dual-tone red and black photo; so simple, but so effective, evoking so many ideas and stories in my head. 

From there Belle And Sebastian soon became one of my favourite gangs, from a shambolic but brilliant early set at the Union Chapel in Islington through to falling in love with the series of EPs they put out in the late 90’s through Jeepster, with similarly brilliantly simple but wonderful photograph covers. 

Lazy Line Painter Jane (featuring Monica Queen of the much under rated band Thrum, who I wrote about in 2016 which you can find by clicking here), is one of my all time most loved songs. There's a great blog post about it here. It's a song that contains not one but two sets of my favourite lyrics: “Boo to the business world! You know a girl who's tax free, on her back and making plenty cash, you are working for the joy of giving,” and “You are in two minds, tossing a coin to decide, whether you should tell your folks about a dose of thrush, you got from licking railings,” which now, incredibly, is quoted on line in the Urban Dictionary. I’d certainly never heard the expression ‘licking railings’ before - I was such a nice boy you see - so I blame Belle And Sebastian for opening my mind to new sordid expressions. They changed me.

In fact, my obsession with Belle and Sebastian became so consuming that for a year or two I’d only fancy girls who I thought looked like Belle And Sebastian fans; basically hairclips, dresses and glasses was my go to ideal woman. Yes, I was that obsessed. 

Thankfully, my infatuation with the band has dwindled over the years, and if I’m painfully honest a lot of their later work hasn’t always hit the spot with me, although there are always some gems on every album and every time I’ve seen them play live they’ve been great value.

Which brings me to the here and now. With a new tour announced for next year Belle And Sebastian are about to do something that will undoubtedly please a lot of old fans and perhaps keep it interesting for themselves as well. For they are due to release, not one, not two, but three EPs in quick succession, breaking away from the traditional release mechanism of throwing out a few singles, then an album. The EPs are all titled How To Solve Our Human Problems and from EP2 comes this new song. 

I’ll Be Your Pilot definitely harks back a little to past glory days in terms of its sonics. Whilst Belle And Sebastian have never been a particularly savage sounding band, I’ll Be Your Pilot certainly captures their softer, more comforting side. As a parent, this is a song I can personally relate to, even down to the Little Prince references. I have no idea if my complete lack of parenting skills when my first of two was born was a blessing or curse, but I think the idea of keeping your children safe is just something we’re all innately born with, and although ‘keeping your children alive till they’re old enough to look after themselves’ isn’t the most aspirational of parenting goals, it was one I was happy to set for myself. I'm pleased to report that to date I have achieved that goal. 

Anyway, I’ll Be Your Pilot is rather lovely, and irrespective of if you are a parent or not, there’s probably someone in the world you care for a lot and just want to make sure they’re OK. That, like this song, is a good thing. The world is so much nicer when we're just nice to each other - that's how to solve our human problems. 

Belle And Sebastian - I'll Be Your Pilot

Sunday, 8 October 2017

New Music: Introducing - Ella Grace

When an email dropped into my blog in box a few days ago with the details of an ‘indie folk newcomer’ and I had a look at her social media accounts I expected to see the usual few hundred fans that any regular new artist would have as they try to establish an audience. Yet Ella Grace is different. With over 200,000 on Instagram and 33,000 followers on Twittter clearly there are other forces at work here.

That’s because Ella Grace is more widely known as Ella Grace Denton, a former You Tuber and blogger (she wrote the now deleted We Need to Live More, a blog targeted mostly at young women, that encouraged mental wellness, for them to be happy, healthy, connect to the real world and ditch self-doubt for self-love) who has been sharing her journey, both highs and lows, with people from the age of 16.

Normally social media stars crossovers to other creative pursuits are pretty fruitless except for gaining the author a bag of cash; take for example Zoella’s attempt at literature, which was hardly going to win her the Man Booker prize, but with Ella Grace things are different. 

Having already shared a small amount of music online (a demo of a song called Walk With Me on Soundcloud, three songs Wild Roads, Away From Here and She on You Tube and another, a hippyish ditty about love, the destruction of the planet and the fast pace of life uploaded on Flo Morrissey’s You Tube Channel) her latest tune is called Here We Are Again and it’s rather gorgeous. 

With the sound of birdsong in the background Here We Are Again immerses itself in the natural and organic. Over acoustic folky instrumentation not dissimilar to something Laura Marling might produce Ella sings in a calm and soothing voice of journeys, sorrows and endings and then adds a question of hope: “Can butterflies now live where darkness crept in?” A beautifully quiet moment of reflection that shows that Ella Grace has a lot more to offer than just social media skills.

Ella Grace - Here We Are Again

Friday, 6 October 2017

New Music: Jade Bird - Grinnin' In Your Face (Live Video)

Has Jade Bird wowed you yet? She first wowed me back in August 2016 (in this introducing post). Then she gave more wows when I finally saw her live at this year’s Great Escape Festival in Brighton and then the wows were even bigger at Latitude Festival a few months later, where her name went into my book named Good Grief These People Have Got It. Around that time Jade also delivered Something American, her first EP proper and all the wows aligned together to make one even bigger WOW. At times passionate, vulnerable and beautiful Something American mixed country, blues, folk and other shades of Americana with commanding effect. 

Others have also begun to be wowed, with Jade winning the Anchor 2017 prize at the Reeperbahn Festival, the jury stating that she displayed an “impressively broad range displaying strong songwriting and musicianship, bringing something fresh and unconventional to her genre".

If you still haven’t been wowed maybe this new live video from Jade will do the trick. Together with Will from the Mystery Jets Jade takes on Son House’s Grinnin’ In Your Face from her EP. It’s two minutes of raw power that I suspect will go down particularly well stateside – not bad from a girl from Hexham, a relatively small market town in the UK. 

Jade will be playing at Omeara in London on the 17th Oct, supporting Son Little in November in the US, plus one date with First Aid Kit and will be supporting Lewis Capaldi on the majority of his UK tour in November and December. Hopefully 2018 will see a full UK headline tour as Jade’s name and voice gets known.

Get ready to go wow. This is special. 

Jade Bird - Grinnin' In Your Face

Thursday, 5 October 2017

New Music: Tempesst - Waiheke

The first thing I did after listening to the new song from Tempesst, was to Google Waiheke, which demonstrates my lack of Geography knowledge, but also shows how educational music can be when you have unusual or interesting reference points. According to the ubiquitous search engine it is an Island in the Hauraki Gulf of New Zealand. A bit of further searching reveals that Toma from the band and his girlfriend went there a while ago and the song comes as a result of a tarot card reading on the Island with his girlfriend’s dad.

When I first featured Tempesst on the blog in 2015 (was it that long ago - time flies doesn't it?) I talked of how the band’s music swirled with colour and a hint of psychedelia and there’s an element of that here as well. Starting with a howl of noise and a cosmic throb Waiheke is all about big expansive sky-searching riffs, dreamy vocals and bedazzling guitars that take you somewhere rather mystical. Indie kids, shoegaze dreamers and progressive rock fans will probably find something to lose themselves in here. I’d like to hear this in amongst clouds of dry ice and trippy visuals, played very loud.

An EP is due from the band at the end of the month and live dates also follow.

Tempesst - Waiheke

Tuesday, 3 October 2017

New Music: The Shacks - This Strange Effect (Video)

New York’s The Shacks might have just become the latest stars of an iPhone advert, but they've been around for some time now. They formed in a in 2014 when Max Shrager was recording in a studio, but didn’t have a vocalist. Enter one Shannon Wise who Max knew from high school and voila, The Shacks were born. Two years later The Shacks EP was released to the world. It’s a record that sounds so out of place, so old fashioned, that it’s oddly refreshing. If someone played you The Shacks today and you knew nothing about them you’d almost certainly say that they were some long lost forgotten cult band from the 50’s or 60’s, right up to Shannon’s breathy whispered vocal, simple drum sounds and the twangy rhythm guitars. Take a listen to the EP on Bandcamp here.

A month or so ago the band released a video from one of the stand out tracks from the EP, the dreamy This Strange Effect, which is a rework of a song written by Ray Davies of The Kinks, originally released by Dave Berry in 1965. It came to my attention (and possibly yours) via the new advert for the iPhone 8 Plus. Rather than just using actors the advert places Shannon Wise of the band in the centre of the whole thing. Enjoy the full-length video by the band and for completeness I’ve also included the iPhone advert. Damn you Apple for sneakily getting me to carry advertising for your products on Breaking More Waves.

The Shacks - This Strange Effect (Video)

iPhone 8 Plus Advert - featuring The Shacks

Monday, 2 October 2017

New Music: Firewoodisland - Dearest Brother

There’s something rather life-affirming about Dearest Brother, the new single from Stian Vedøy, Abi Eleri, Stephen Allen and Dylan Jones, who are better known as Firewoodisland.

It’s a song of friendship, compassion and tough love for someone who has been hurt by bad decisions: “I am walking in when the world is stepping out,” emotes the hook as the tune heads skywards after a warm and gentle beginning of soft 70’s sounding acoustic guitars and harmonies. The band have tagged the song ‘Mountain pop’ on their Soundcloud and that’s certainly a good description. Dearest Brother sounds like it could be hollered from the tops of the earth; it has a that certain celestial quality to it.

Having already picked up support with their 2014 debut EP lld and the following Dome EP last year, Dearest Brother should allow the Bristol based four piece to find even more fans of their wonderful songwriting.

Firewoodisland - Dearest Brother

New Music: First Aid Kit - It's A Shame

This one has already been all over the big sites, but just in case like me you’ve been busy and are playing catch up, here’s the new song from Sweden’s finest country band First Aid Kit

Klara and Johanna Söderberg know how to write a song don’t they?

It’s A Shame might sound like a breezily uplifting piece of Americana, but delve a little deeper and running through it you’ll find a vein of sadness as the sisters sing of being in sunny LA yet ‘the sun’s too bright, I cannot get it right, the emptiness I feel, and now none of it seems real.’ 

Following their glorious performance at Glastonbury earlier this year, which confirmed First Aid Kit as one of the most talented young bands you can possibly hear, the band return to the UK for a one-off show at Shoreditch town hall on November 1st, which has already sold out. It's A Shame paves the way for a new First Aid Kit album.

First Aid Kit - It's A Shame

Saturday, 30 September 2017

New Music: Stereo Honey - The Bay

Over the last few weeks the ‘UK indie guitar music is dead’ argument has been cropping up in various places on the web again. Right here, right now, I’d like to suggest that this argument itself is dead. It’s like music journalists have run out of ideas to discuss so they’re just recirculating the ones that we all talked about 8 or 9 years ago. 

When we have bands like Wolf Alice striding boldly forward with a highly accomplished, often adventurous and never dull second album, together with exciting new bands like Pink Kink (featured earlier today) appearing with regularity, the only thing I can imagine is that the people writing these articles have lost their way with music. Maybe guitar based music isn’t lighting up the singles charts in the UK, but ignoring the excitement, creativity and energy that exists out in the pubs and clubs of live music venues across the country where indie bands are playing is to ignore a lot of great stuff. 

So, here’s another very good indie guitar band. Stereo Honey’s The Bay starts with some moody synths and glam rock drums (dare I mention Gary Glitter’s Rock ‘n’ Roll Part 1 – it feels wrong to reference him given his crimes, but the musical similarity is there) but it’s when the chiming guitars kick in that things really take off. Add in lead singer Peter Restrick’s absolutely gorgeous falsetto, where he sings of a love storey formed from tragedy and death and what you have is a band creating atmospheric arching guitar pop that sounds, to my ears at least, wonderfully alive, despite what certain journalists say.

Stereo Honey - The Bay

New Music: Introducing - Pink Kink

A name that I’ve seen generating a lot of interest with music fans out of the Liverpool area over the last year or so is Pink Kink. If memory serves me correctly I first found out about them via Andy from the VPME, but until now the excitement has all been about the groups somewhat deranged and all over the place gigs, with no recordings being available.

Now it’s all systems go with the short sharp punch of Bubblebutt, a song that takes on the issue of being able to dress the way you want without receiving sexist comments. Clocking in at less than two fiery minutes I love the shouty gothabilly punk stylings of this song complete with its barbed twangy guitars and garage noir keyboards. Imagine Scottish kandy-pop kids Bis covering The Cramps and you might be getting somewhere close to what this trashy and cartoonish punch of power sounds like. 

However, let’s not be too hasty in slotting this band under one label yet. From the reports I’ve seen they are in some ways a similar proposition to the much hyped HMLTD, in that they have a range of different styles and tempos leading to several 'WTF' moments in audiences, possibly born out of the fact that they all originally hail from very different places; Germany, Spain, Norway, America and the UK. As more music gets released we’ll probably all see the bigger picture – but this is a fine start that strikes close to the bullseye.

Pink Kink are out on tour soon with Dead Pretties and play the discovery day at Swn Festival in Cardiff.

Pink Kink - Bubblebutt

Sunday, 24 September 2017

New Music: Liv - Hurts To Liv

A conversation in the Breaking More Waves household:

“This song sounds a hell of a lot like Lykke Li.”

“It does, but it isn’t, it’s someone called liv.”

“That name rings a bell as well, but I can’t think why.”

*Google search*

“Oh, hold on. It is Lykke Li. In some sort of Swedish/American supergroup. Oh, yes, I featured them before on Breaking More Waves last year. I’d forgotten”

Maybe it’s because I’m getting older and the memory is failing (yes, I have used Shazam to identify songs only to then realise the reason I like the song is because it’s on a record I already own…am I the only person to do this or is it a common thing?), or maybe it’s just that there’s so much new music out there that it’s impossible to keep up. But either way liv is a name that I should have remembered.

Either way, Hurts to Liv, a personal tribute to deceased parents, is a beautiful, restful and sad sounding piece of work. Lykke Li has always been the princess of sad-pop and now this song elevates her to queen. You can imagine the band playing this in some half empty downtown bar in the mid-west of America, as a few folk pass the time staring out of the window as the sun goes down. 

liv - Hurts to Liv

Friday, 22 September 2017

New Music: Emma Jensen - Make You Mine

In terms of very cool pop music, Scandinavia has always done very well, but arguably Sweden has been leading the way for a very long time. However, now it seems that Norway has fully thrown off its infamous ‘nil points’ tag from a few years ago and is showing that it has far more to offer than just A-Ha. What with Aurora, Sigrid, Dagny and Anna Of The North leading the charge, there’s quite a few more just behind them. One of those just behind the leading pack is Emma Jensen, who grabbed attention in February with a song called Closer, which I described as sounding a tiny bit like Grimes on downers. This week Emma released her second song.

Make You Mine adopts a similar template to Closer; it’s a slow sleek electronic jam formed from melodic minimalism and Emma’s near childlike vocal which bears a lot of similarity to Megan James of Purity Ring.  It’s maybe not quite as instant as Closer, but sits in the same grounds of internet-ready-pop rather than a radio hit. Make You Mine is all about subtle intimacies; it’s the sort of music that sounds like it’s isolated itself in a quiet space, content with what it is, never wishing to be anything more. Lyrically though it isn’t perhaps as content, dealing with ideas of relationships and not making a move or saying what you want at the time.

File this one under the category ‘a grower’.

Emma Jensen - Make You Mine

Wednesday, 20 September 2017

New Music: Maggie Rogers - Split Stones

It’s amazing how far one moment and one song can take you. Since Maggie Rogers was thrust into the limelight with that Pharrell discovery video and her song Alaska, it has been pretty non-stop. At the end of 2016 she was on many a tip list (including my own Ones to Watch list) and has followed it through with an excellent EP, sold out headline shows and plenty of festival slots. 

Although I’ll never tire of listening to the EP, there does come a point where there has to be something else new and it comes today in the form of live favourite Split Stones. The two things I particularly love about this song are the unusual looped beats mixed with the sound of heavy breath (the sort of patterns and ideas someone like Bjork would adopt) and the way the song rises to form exultant crescendos, leaving you feeling high, as Maggie sings of grabbing life and moving ‘like you had something to lose’.

Together with Split Stones Maggie has put a letter on line (here) that talks of the track representing a parting gift, which at first seems odd given her limited recorded output so far, but the letter goes further: “This is me saying goodbye for a little while. Here’s to the end of the beginning and the start of everything else.” I translate this as “I am going to go and complete a full album now.” Let’s hope so.

Maggie Rogers - Split Stones

Tuesday, 19 September 2017

New Music: Introducing - Naaz

When you’re just starting out in the world of music, it doesn’t do any harm to get a leg up or two from those who have already had success and certainly when One Direction lad Niall Horan puts one of your songs on his Spotify Chilled Hits playlist, it’s not going to do any harm. Nor is it going to hurt in terms of exposure when Flux Pavilion and Yellow Claw collaborate with you so that you get to sing on a rampant dancefloor banger. However, even with these favours it’s not going to sustain you long term unless you can offer something special on your own terms. Thankfully newcomer Naaz does exactly that. 

Naaz (full name Naaz Salahaddin Ali Mohammad) is a 19-year-old singer, songwriter and producer from Holland. The back story that you’ll read on virtually every article written about her is that she was raised in a highly conservative Kurdish household and may have not ever pursued music until her parents were finally convinced that Naaz’s talents were too special to constrain. 

With a debut EP (Bits of Naaz) coming soon Naas has just a small handful of songs online; 2016’s Sadboy, and the two tracks from earlier this year that really show what she’s about. 

Words is a tender and ever so pretty pop song, one of those tunes that, if you are in love, will make you immediately want to play it to your partner and if you’re not, will probably make you decide that maybe it’s time to be so. “But yet it feels like I've never lived before, anything that's less turned into more,” she sings in her beautiful melody kissed voice and the world and life just seems a better place. 

Like Words, her other 2017 song Can’t clocks in at less than three minutes and with its warm soft synths and reflective tone also hits the spot.  It’s no wonder that Naaz has already picked up lots of streams on Spotify and You Tube. She is certainly Holland’s finest new music export.

Streams are one thing, but as any live music fan will know, you can clock up hundreds of thousands of plays on line, but it doesn't necessarily translate to a real life fan base. Playing live can help that and Naaz is now starting down that route. She plays the The Reeperbahn Festival in Hamburg, Germany this Thursday and will be coming to the UK (my country) in November to play in London at the Old Blue Last alongside another Breaking More Waves favourite Joy Crookes.

Naaz - Words

Naaz - Can't (Video)

Monday, 18 September 2017

New Music: Bjork - The Gate (Video)

Over the last week or so I have been compiling one of those dreaded ‘my favourite 100 albums of all time’ lists for something that isn’t related to Breaking More Waves at all. What has been interesting to note is the handful of artists that have more than just one album on the list, and one of those is Bjork.

The Icelandic musician has produced, since 1992, a solo body of work that is extraordinary in its forward-thinking inventiveness, but more than that, even her older records still sound fresh, exciting and boldly modern after all of these years. They’re records that I come back to again and again, not weeks or months after release, but years. And yet, I don't think I've ever featured her on Breaking More Waves.

Despite the back catalogue Bjork also continues to release incredible new work and today she revealed her mesmerising video for new song The Gate, made in collaboration with Gucci’s Alessandro Michele and artist Andrew Thomas Huang. Bjork has described The Gate as a transcendent love song, the lyrics portraying the healing process after the heartbreak of being pulled apart when a long term relationship ends. The video is a shiny, magical and enchanting thing - everything you would expect of Bjork.

Bjork - The Gate (Video)

Sunday, 17 September 2017

New Music: Slang - Murder

I’ve always been a fan of the 'no messing jump straight in with the hook' school of songwriting and Murder, the new one from Slang, does exactly that. There’s no long drawn out instrumental into and no rambling verse; it takes just eight seconds before the ear grabbing is complete. With this song title any reference to Slang ‘killing it’ is probably right. 

With a gritty old school gangland production Murder seems to take a myriad of different reference points from hip-hop to pop to 90’s baggy grooves but manages to hone them all down to something that keeps everything on point and accessible. Get ready to be slayed.

Slang has a new mix tape release called fwENDZ out soon.

Slang - Murder

Thursday, 14 September 2017

New Music: Confidence Man - Better Sit Down Boy (Video)

Fitter, faster, stronger…

Since Australian four-piece Confidence Man first appeared on Breaking More Waves things have been going pretty well for the band in the UK. They were one of the most talked about acts at this year’s Great Escape Festival in Brighton (don’t say I didn’t warn you) and they achieved the virtually unthinkable for a new band at Glastonbury and packed out the Williams Green stage at a pre-lunch time slot and got everyone dancing.

Now they’re upping the game again with the zestful Better Sit Down Boy, a tune which is guaranteed to make you want to throw on your leotard, sweat bands and disco shorts and bounce it, pump it and thrust it like you’re just one gym session away from total ecstasy. 

Coming on strong like a long lost Fatboy Slim / Big Beat track from the mid-90’s Better Sit Down Boy is pure too many beats per minute joy. 

Accompanied by a video which finds Janet Planet, Sugar Bones and the others as well as variety of body builder types working out it reminds me that a Confidence Man gig is an experience in keep fit and exercise itself – by the end of it you’ll be a sweaty but happy mess.

This is outstanding hyper-pop. Extra marks for the “Oh you speak French? Oh man that’s neat” line as well.

Confidence Man - Better Sit Down Boy (Video)

Wednesday, 13 September 2017

New Music: Bloxx - Coke

Fresh out of the box, or maybe quickest off the blocks, on this blog, is the new song from Bloxx. (Sorry… I just couldn’t help myself). A good old fashioned indie rocker that’s essentially a bunch of kids plugging in their guitars, making some noise, hitting some drums hard and singing a rather pleasant tune over the top of it. Originally released through Bandcamp over a year ago, Coke is now out there streaming on all amazing music websites. And this one.

What I like about the handful of songs I’ve heard so far from Bloxx is that their songs don’t sound too try hard – they sound like they’re just doing what they want to do without a sh*te about if it’s cool or on-point. In that way they remind me a little of early Wolf Alice. There is, dare I say it, an honesty about Bloxx that I like. 

Bloxx will be out on tour this autumn with dates supporting Sundara Karma and INHEAVEN, so if you’re going to see either, get there early.

Bloxx - Coke

Tuesday, 12 September 2017

New Music: Sofi Tukker - Best Friend (Featuring NERVO, The Knocks & Alisa Ueno)

Oh, here we go again. Another dirty and cartoon-like tune from Sofi Tukker. Right now these kids seem to be able to do no wrong. It’s why their name keeps appearing on Breaking More Waves.

“You are my best friend and we’ve got some shit to shoot,” the new song announces before a brassy sample kicks in and a low hip grinding bass does the rest. It got me on first listen. It probably will do the same to you. None of that 'it's a grower' crap. It just dives straight into the pool and then keeps swimming.

A celebration of friendship and love, Sofi Tukker say about this about the tune: “To the friends we have had long before Sofi Tukker, the friends we have met along the way, and the friends we have not even met yet, you all make our lives so much better: this song is dedicated to all of you.” Featuring NERVO, The Knocks and Alisa Ueno, Best Friend is chock full of guests and chock full of the good stuff. This one needs to be played loud. Apparently he song features on the advert for the new iPhone X, so that will be some good exposure for the duo.

Sofi Tukker play some headline shows in Europe at the end of September and beginning of October (including one at London's Oslo on 1st October) before they set off on a mammoth North American tour supporting Odesza up till nearly Christmas.

Sofi Tukker - Best Friend (Featuring NERVO, The Knocks & Alisa Ueno)

Thursday, 7 September 2017

New Music: Superorganism - Something For Your M.I.N.D (Video)

Streaming services are a music fan’s dream. Imagine 20 years ago being told that with just a couple of clicks and presses you’d be able to access more music than you could possibly imagine. Not only the latest new sounds but those from the past as well. They are an affordable and beautifully simple route to a huge journey of musical discovery.

But there’s a problem as well. Spotify and the others are helping kill pop music’s originality and creativity. Never before has mainstream pop sounded so identical, so lazy and so uninspiring. Pop music has always been about formulas that get hits, but now the formula has been over simplified to get on as many of the all important playlists as possible. Want to get on the Spotify New Music Friday list? Sure, just copy and paste the formula, add a new vocalist and away you go. It seems like the wonkier stuff is getting pushed further and further to the fringes. In fact it's in danger of being pushed off the edge completely.

Of course, there’s an argument that mainstream pop has always been bland and unoriginal. But there were always kinks, rough edges and quirks to be found even in the music for the masses.

Which is why we need songs like Superorganism’s Something For Your M.I.N.D. Originally released near the start of the year and picking up lots of love online, it’s getting a well-deserved re-release and a trippy new video. Something For Your M.I.N.D is simple, inventive, hooky and lackadaisically cool. If you didn’t hear it first time round, it’s time to get acquainted with it now. It's like The Moldy Peaches mixing it up with Gorillaz. It's not like The Chainsmokers. I'm sure you will agree this is a good thing. If you don't, you're in the wrong place. 

Add in the fact that the band aren’t just your regular bunch of faceless and boring producers but an eight piece from around the globe who all live together in a big house in London and are fronted by a Japanese teenager called Orono and you’ve got yourself an interesting pop proposition. Put this one at the top of your playlist and maybe Spotify will take note.

Superorganism - Something For Your M.I.N.D

Tuesday, 5 September 2017

New Music: AK/DK - Morphology

There’s a ferocity to Morphology, the new track from Brighton’s AK/DK that’s strong enough to stimulate even the weariest of listeners. Going full pelt from almost the off this is the sound of a pier-end electronic organ finding itself in a 1960’s garage rock club with two hundred cool kids on the dancefloor losing their shit on too many experimental drugs. It is in other words, brilliant. Put it on loud, clear all loose items out of the way and prepare to flail around madly for the next three minutes.

Morphology is taken from the band’s forthcoming album, released October 20th, called Patterns / Harmonics. You can pre-order from their Bandcamp now.

AK/DK - Morphology